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The Native Voice: The Story of How Maisie Hurley and Canada's First Aboriginal Newspaper Changed a Nation

The Native Voice: The Story of How Maisie Hurley and Canada's First Aboriginal Newspaper Changed a Nation


The Native Voice: The Story of How Maisie Hurley and Canada's First Aboriginal Newspaper Changed a Nation


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The Native Voice: The Story of How Maisie Hurley and Canada's First Aboriginal Newspaper Changed a Nation

About the Author

Eric Jamieson is the author of Tragedy at SECOND NARROWS: THE STORY OF THE IRONWORKERS MEMORIAL BRIDGE (Harbour Publishing, 2008), co-author of SOUTH POLE: 900 MILES ON FOOT (Horsdal and Schubart, 1996), and has contributed articles on outdoor living and history to a variety of newspapers and magazines. In 2009, he was awarded the Lieutenant-Governor's Medal for History Writing.

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Product details

Paperback: 288 pages

Publisher: Caitlin Press Inc.; UK ed. edition (October 24, 2016)

Language: English

ISBN-10: 1987915178

ISBN-13: 978-1987915174

Product Dimensions:

6.1 x 0.8 x 9.1 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

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Amazon Best Sellers Rank:

#4,469,767 in Books (See Top 100 in Books)

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File Size: 383 KB

Print Length: 192 pages

Publication Date: December 6, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B077ZFJQNP

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As with Meredith’s videos she has done an excellent job with this book. Even if you have followed Meredith and watched her videos, this book is of great value. Plenty has been written and documented about Cluster B personality disorder to teach the reader / viewer about the crap they pull. This book is about the journey, a road map, to fix you! If you are a victim of Narcissistic abuse and you want to go from miserably surviving on a string to taking the bull by the horns and enthusiastically thriving this book is a must read. I am a former victim of a covert narcissist mother and countless other narc’s in my life. Discover the person you are supposed to be in a life of peace and happiness. Thank you Meredith!

Meredith Miller is one of the most intuitive people I've come across on the subject of Narcissistic Abuse. She is direct, yet poetic, and her personal stories really reach the heart. The details may be different, but the emotions and awakening are the same. I could easily see where I was along the journey, and it's wonderful support and validation. I would highly recommend this book to anyone healing from Narcissistic Abuse or researching the topic.I'd like to include part of the Prologue as a testament to her dedication and commitment.I believe we all have the right and responsibility to feel empowered, worthy, and free.My story of self-healing after narcissistic abuse began the day I realized that I'd been programmed to accept the Legacy of Abuse passed down my lineage for who knows how many generations. Where did it start? It's hard to knowThe Legacy of Abuse gets passed on trans-generationally without question as something normal and acceptable. When it's modeled by parents, it teaches children that's what love is. Kids then grow up to accept more abuse from others as adults or worse yet they become abuses themselves. Eventually the problem becomes pandemic..Abuse is deeply woven through society from the macro to the micro level. I believe THE problem in our world is that many families, corporations, workplaces, governments, media, entertainment, and even spiritual and religious organizations are functioning according to abusive values and promoting the normalization of this behavior.

I bought and read the book today and it’s wonderful!One of the things I’ve found so frustrating in my own recovery, which has been definitely two steps forward and one step back (and sometimes vice versa), is being so unsure if I’m making real progress. This book has clarified that so well for me.

This book is a useful guide in helping people understand childhood wounds that carry on into adulthood. The work is personal narrative and the author describes the process of what has worked for her, offering a common-sense approach of what one may encounter in freeing one's self from the effects of narcissistic abuse, especially when it shaped one's developmental years and self-concept. Miller's viewpoint contains an underlying premise that the universe tests people's resolve to change, which some readers may find problematic. Change is a natural process. Research indicates that roughly one out of every one hundred people have a brain that makes it difficult for them to experience empathy. One is likely to continue to encounter people that take pleasure from controlling others. It's a fact of living life. Miller's overriding message, however, is this: until one learns to set healthy boundaries with abusive people, and to understand one's own roots as to why he or she engages with abusive people, the dynamic will continue. Whether one chooses to see these encounters as tests from the universe or as part of life, the book is worth reading to see how another human being has understood a difficult dynamic well enough to heal from it, and then to share the process with others. The point of view, however, which at times takes on a shamanic tone, may be a bit much for those that prefer to see life from a more pragmatic and scientific viewpoint.

Thank you, Meredith, for shining your light so clear and strong to assist others through this invisible torment which so many people experience.The steps to healing are laid out clearly in this book, and it's written in a way that's easy to understand. If you've been through this type of abuse, you'll feel like your being guided by someone who gets it and who is on the other side of it. If you haven't, it might help you get a glimpse into the hero's journey of surviving this insanity. It takes a tremendous amount of courage to get out of such a relationship, and even more courage to develop an authentic sense of self afterwards. If you want to thrive and not just survive after Narc abuse, check out this excellent book.

I bought this book because of the numerous good reviews. So I'm now writing to warn others. This book feels like it was shouted into a tape recorder and then transcribed and sent to print with no editing! There are sentences that don't make sense and italicized words and phrases indiscriminately scattered throughout. Sadly, the content seems to be of the same quality -- cliches and opinions, often poorly expressed.I'll add to this review later when I find a good book on this important subject.

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Ebook Sonatas and Partitas: Schirmer Library of Classics Volume 221 Violin Solo (Schirmer's Library of Musical Classics)

Ebook Sonatas and Partitas: Schirmer Library of Classics Volume 221 Violin Solo (Schirmer's Library of Musical Classics)

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Sonatas and Partitas: Schirmer Library of Classics Volume 221 Violin Solo (Schirmer's Library of Musical Classics)

Sonatas and Partitas: Schirmer Library of Classics Volume 221 Violin Solo (Schirmer's Library of Musical Classics)


Sonatas and Partitas: Schirmer Library of Classics Volume 221 Violin Solo (Schirmer's Library of Musical Classics)


Ebook Sonatas and Partitas: Schirmer Library of Classics Volume 221 Violin Solo (Schirmer's Library of Musical Classics)

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Sonatas and Partitas: Schirmer Library of Classics Volume 221 Violin Solo (Schirmer's Library of Musical Classics)

Product details

Series: Schirmer's Library of Musical Classics (Book 221)

Paperback: 64 pages

Publisher: G. Schirmer, Inc. (November 1, 1986)

Language: English

ISBN-10: 0793554624

ISBN-13: 978-0793554621

Product Dimensions:

9 x 0.2 x 12 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

32 customer reviews

Amazon Best Sellers Rank:

#80,651 in Books (See Top 100 in Books)

great edition, but you'll be on your own coming up with appropriate fingering....and note that this is music for the highest level of player !

This is an amazing collection of music, which I love. The book is pretty sturdy-- I just wish the print quality were a little better. I have other Shirmer books that are printed better.

Chosen by my son's excellent marimba teacher.

I was debating about getting this book, then went ahead and ordered it based off the four reviews already present. It's exactly what I wanted. It contains 6 pieces of music--3 partitas and 3 sonatas in 60ish pages. I haven't been playing the violin for very long, and I was happy to see something of a variety of music for different skill levels (the Bouree in Partita 3 is particularly fun and lively and not too hard). That said, these pieces are Bach's finest and are definitely something a beginner would want to work towards and not start with.

Great

Book is harder than I thought. It should keep me busy. I am a moderate player. Book arrived on time and for good price.

Bach. What else.

My daughter is happy!

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PDF Download , by David A. Livermore

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Product details

File Size: 1373 KB

Print Length: 296 pages

Page Numbers Source ISBN: 0814449174

Simultaneous Device Usage: Up to 5 simultaneous devices, per publisher limits

Publisher: AMACOM; 2 edition (April 8, 2015)

Publication Date: April 8, 2015

Sold by: HarperCollins Publishing

Language: English

ASIN: B00TRF2R50

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This is a solid book on the topic of cultural intelligence. While not ground-breaking for those that have read other works on this topic, it is a highly readable introduction to various aspects of "CQ". Dr Livermore is an excellent communicator (I've heard him speak) and has a well-researched perspective on the value of cultural intelligence as it contributes to effective cooperation and communication.Despite using the word "Leading" in the title, this book would be appropriate for anyone, with or without a leadership title/function. There is relatively little content that really focuses on leadership; rather, the principles are broadly applicable to everyone that engages with someone else from a different culture (or subculture).If you haven't yet encountered cultural intelligence, this book would be a valuable primer for you.

Many cultural literacy books provide lists of do’s and don’ts. Such books are prescriptive—often at the granular level. However, international commerce often involves touching multiple countries in a given assignment. So, the author has designed a guide that can be applied across many countries, without requiring an encyclopedic memory. Author David Livermore—with considerable help from two respected academics—Soon Ang and Linn Van Dyne—has developed a four-step CQ process to help leaders adapt to foreign assignments. The four capabilities of culturally intelligent leaders follow: CQ Drive (motivation), CQ Knowledge, CQ Strategy (metacognition), and CQ Acton (behavioral). He explains each step using personal stories, stats, and concepts to frame them for the reader.

I obtained a greater understanding of cultural Intelligence. I referenced it in my doctoral dissertation on Breaking Generational Poverty through Collaborative Efforts. After reading the book I realized its emphasis was on international business relationships rather than the need for cultural Intelligence in a diverse nation. His concepts are adaptive to my interests. I sense a need for cultural intelligence in this postmodern era whether in the USA or globally and desire a text which addresses this need.

To succeed in today's highly complex global business environment requires much more than meets the eye. Yes, it helps to know the local language or whether to kiss, bow, or shake hands. Kiss, Bow, or Shake Hands (The Bestselling Guide to Doing Business in More than 60 Countries) But as David Livermore, Ph.D., explains in his lively "Leading with Cultural Intelligence" this is just the tip of the iceberg of what is required. What he offers is a practical, deeply-researched framework for managing the rest of the iceberg, the majority of which lies below the waterline. It's the part that most business people overlook -- that invisible part that sinks ships and sinks relationships.Dr. Livermore not only is academically grounded but personally experienced in the science and art of choreographing and improvising crosscultural relationships. He has done consulting and training with leaders in 75 countries across the Americas, Africa, Asia, Australia, and Europe and his book is chock full of stories from those experiences as he uses them -- with candor and humor -- to add color commentary to the four-dimensional cultural intelligence(CQ)model he presents.Any organizational or functional leader, manager, or entrepreneur thinking about or already doing business globally needs to pack this book along with their Ambien, Berlitz phrase book, and PDA.

I stumbled on a reference to this book while reading a newspaper article on cultural blunders reported by small companies looking to do business abroad. Having spent my youth in Western Europe and then much of the last 25 years in companies doing business abroad in all major world markets, I've had to jump across cultures all my life so the topic was particularly interesting to me. But I had never come across any book or publication that would provide a comprehensive framework on the topic.Overall, I feel this is a must-read for anybody looking to improve his or her cross-cultural competence. The book is based on the theory of Cultural Intelligence (CQ) and translates the theory into a practical four-step process to help us develop our CQ skills and improve our cross-cultural leadership techniques. The other theme that runs through the book is the positive relationship that exists between the acquisition of CQ and leaders' effectiveness.I found the chapter devoted to the five scales used to measure core cultural values among nations particularly useful. But, as others have commented, I also found some of the advice offered rather obvious (go to the movies, eat out, learn a new language, etc.). The writing can be wordy at times and some editing for conciseness would help.Also I wish examples cited in the book had gone beyond the personal experience of the author and explored recent business transactions or product launches where national and organizational cultures were important considerations (e.g., the merger of Daimler-Benz and Chrysler, or the localizing of a consumer internet product from its initial base in the US to other countries).The book isn't perfect. But there doesn't seem to be much else available and you should definitely read it if you are serious about improving your cross-cultural skills.

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Free Ebook The Wolf, the Duck, and the Mouse, by Mac Barnett Jon Klassen

Free Ebook The Wolf, the Duck, and the Mouse, by Mac Barnett Jon Klassen

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The Wolf, the Duck, and the Mouse, by Mac Barnett Jon Klassen

The Wolf, the Duck, and the Mouse, by Mac Barnett Jon Klassen


The Wolf, the Duck, and the Mouse, by Mac Barnett Jon Klassen


Free Ebook The Wolf, the Duck, and the Mouse, by Mac Barnett Jon Klassen

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The Wolf, the Duck, and the Mouse, by Mac Barnett Jon Klassen

From School Library Journal

K-Gr 2When a little mouse gets gobbled up by a hungry wolf, all seems lost until he makes an unexpected friend in the belly of the beast: a duck that may have been swallowed but has "no intention of being eaten." Indeed, life is not so bad inside the wolf. There's a comfortable bed, a grand dining room table, and a fully functional chef's kitchen. As the duck explains to the bewildered mouse, "You'd be surprised what you find inside a wolf." No longer do these small creatures worry about being devoured; they can sit back and relax in their confinement. They even conspire to get the wolf to down some good wine and cheese. Their wining and dining soon gives their host a terrible stomachache, attracting the attention of a hunter. Suddenly, all three lives are at risk and the new friends must act quickly to save themselves—and their safe and swanky new digs. Barnett's shrewd wit and subtle sense of irony come across expertly in short, snappy sentences, while the repeated refrain of "Oh woe!" and the pourquoi-tale ending lend the story a folkloric tone. Klassen's mixed-media art has a collagelike quality; the main characters and set pieces appear as cutouts placed against richly textured backgrounds of deep browns and black, with golden touches of pink and ocher, adding to the sense that readers are watching a dramatic play unfold. VERDICT Reminiscent of classic animal fables, with this winning team's signature humor and charm, this is a first purchase for any picture book collection.—Kiera Parrott, School Library Journal

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Review

The Wolf, the Duck, and the Mouse…[is] funny, with morbid senses of humor that will hit Halloween sweet spots…It turns out the wolf’s gut harbors the best party in town, and some readers’ sympathies might shift toward the carnivore—aided by the great Jon Klassen’s droll paintings; no one does perturbed animals better.—The New York Times Book ReviewThe story’s timeless, fable-like feel is bolstered by its traditional cast and old-fashioned fairy-tale language: “Oh, woe!” cries the wolf. “Oh shame!” Life can turn the tables pretty quickly, Barnett suggests, and only those whose outlooks are flexible will flourish. “I may have been swallowed,” says the duck, “but I have no intention of being eaten.” A rare treasure of a story, the kind that seems to have been around forever.—Publishers Weekly (starred review)Barnett and Klassen’s collaborations are always good for a laugh, and this one banks heavily on absurdity, to great effect. Klassen’s mixed-media artwork transforms the wolf’s interior into a delightfully domestic scene, and Barnett’s writing is peppered with amusing details. This original pourquoi tale will make a fantastic choice for storytimes, as kids will want to dance along with the duck and mouse—when they’re not rolling in the aisles, of course.—Booklist (starred review)Barnett’s shrewd wit and subtle sense of irony come across expertly in short, snappy sentences, while the repeated refrain of “Oh woe!” and the pourquoi-tale ending lend the story a folkloric tone...Reminiscent of classic animal fables, with this winning team’s signature humor and charm, this is a first purchase for any picture book collection.—School Library Journal (starred review)This is a delightfully entertaining mash-up of familiar storytelling tropes combined in a wholly original way. Barnett’s language is both funny and rich...Klassen’s mixed-media illustrations are concentrated down to their essences, with colors so subtle the art appears black- and-white at first glance; striking tableaux that seem to capture each moment at the very peak of the action propel the story forward.—The Horn Book (starred review)Readers will laugh out loud at the cunning duck's skills at getting exactly what he wants from the bemused wolf. Author Mac Barnett and illustrator Jon Klassen—who previously collaborated on Triangle and two Caldecott Honor books, Extra Yarn and Sam and Dave Dig a Hole—are an ideal team for readers who like a little quirk in their picture books. The Wolf, the Duck & the Mouse is, like all Barnett-Klassen collaborations, distinctly funny, imagination-stirring and lovely to look at.—Shelf Awareness for Readers (starred review)It’s a story packed with funny details—from the knives and candles of the duck’s wolf-belly home to the makeshift warrior gear the duck and mouse wear when charging the hunter. The dramatic dialogue is entertaining (there are several utterances of “Oh woe!”). And the amorphous dark shadows of the forest are beguiling in Jon Klassen’s hands...Mac Barnett and Klassen do it again, bringing readers a story they’ll wolf down.—BookPageKlassen's signature palette, compositions, and comedic, horizontally elongated eyes are here along with the heightened action propelled by Barnett's narrative. Barnett wrestles Aesop and Grimm into pretzels, adding a groaner ending ("And that's why the wolf howls at the moon") for the mustard. A howl.—Kirkus ReviewsA duck and a mouse are swallowed by a wolf and take up comfortable residence in his stomach...in this madcap twist on a fairy tale from gifted collaborators Mac Barnett and Jon Klassen (creators of "Triangle" and "Sam and Dave Dig a Hole," among others). The storytelling is first-rate.—Buffalo News“Wacky” hardly seems adequate to describe this outlandish fable, which is rendered all the more boisterous and fun by Klassen’s illustrations...they’re vibrant and energetic, with the creatures’ starry, dark eyes gleaming with sly intelligence, their postures exuding personality. And who could resist the duck’s oh so quotable assertion: “I may have been swallowed, but I have no intention of being eaten”? Highly recommended.—Toronto StarThe story is so fantastical and so cleverly written that children will love it. They will want to hear it over and over again.—HuffPostThanks to its consistent pace, flowing dialogue, catchy one-liners, and ample use of repetition, this title makes for a read aloud that will have young readers on the edge of their seats. This title is a delightful way to introduce anthropomorphism, and teachers may also consider using it to discuss making predictions and inferences.—School Library Connection OnlineJon Klassen’s signature illustrations (I Want My Hat Back) and Mac Barnett’s classic sense of humor (Extra Yarn) team up again for this quirky book about a mouse and a duck who are swallowed by a wolf—and throw a party in its belly! Your little woodland creatures will laugh out loud.—Red TricycleSo quirky. So good.—Mother MagazineRead this book. Love this book. Embrace it and discuss it with your kids. Barnett and Klassen do it again.—The Roarbots (blog)

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Product details

Age Range: 4 - 8 years

Grade Level: Preschool - 3

Lexile Measure: AD470L (What's this?)

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Hardcover: 40 pages

Publisher: Candlewick; First Edition edition (October 10, 2017)

Language: English

ISBN-10: 9780763677541

ISBN-13: 978-0763677541

ASIN: 076367754X

Product Dimensions:

8.9 x 0.4 x 11.3 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

53 customer reviews

Amazon Best Sellers Rank:

#28,566 in Books (See Top 100 in Books)

Mac Barnett has done it again. Created a story so unusual no one else could possibly have come up with it. Most creatures would find being swallowed by a wolf to be a bad thing, but the duck and mouse decide that it's not so bad. Somehow the two avoid being eaten and turn the wolf's belly into quite a comfortable home. When a hunter threatens their home, the duck and the mouse find they may have to stand up for what they have claimed as their own. Jon Klassen's dry, neutral illustrations perfectly complement the tongue-in-cheek nature of the story. This book works especially well with older readers who can appreciate the ironies inherent in the story.

I've loved everything that these guys have put out together, and this book is no exception. I want to instill a love of reading in my child but I don't want to lose my mind doing it by reading dull or generic books that bore me to tears! These beautiful Jon Klassen illustrations and clever Mac Barnett stories are just what children's literature should be, and I'm so glad to have discovered this team!

Love this book. We read it over and over again.As someone who has worked with kids for the last 20 years, this book comes with me to all my kid events. It always keeps kids interested and they always giggle and stay obsorbed in the while reading.I loved this book so much I ordered two others from this author. This is the kind of book that makes you want to be a kids author. -at least to me!

kids found it delightful.

This book goes by way of morbid. It's creepy. And on top of everything else in the book, it leaves an ending for the wolf to suffer through the rest of it's life. Which tells kids a lie as to why wolves howl. Sending it back.

Love the author and illustrator team. One of the most creative and fun children’s book. I don’t mind rereading this one.

First-off, I’m a fan of Mac Barnett’s writings and just as much, Jon Klassen’s timeless illustrations. I find myself as an almost 50-year old Dad as intrigued in the book as my youngest son. The storyline is cute, but a little dark, and absolutely brilliant! In the end, the duck & mouse create a wonderful bond with the wolf, and the story has a uplifting and “tasteful” ending. Jon Klassen is our era’s much-appreciated and touted illustrator as the late- Corrine Malvern was with the children’s books of the 30’s thru 50’s. COMPLETELY different style of illustrators, of course, but complimenting Klassen of the legacy that he is creating and will leave behind for decades to come.

This tale is perfect for the child who will likely go Goth when a teen!

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