PDF Download Peak Performance: Elevate Your Game, Avoid Burnout, and Thrive with the New Science of Success

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Peak Performance: Elevate Your Game, Avoid Burnout, and Thrive with the New Science of Success

Peak Performance: Elevate Your Game, Avoid Burnout, and Thrive with the New Science of Success


Peak Performance: Elevate Your Game, Avoid Burnout, and Thrive with the New Science of Success


PDF Download Peak Performance: Elevate Your Game, Avoid Burnout, and Thrive with the New Science of Success

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Peak Performance: Elevate Your Game, Avoid Burnout, and Thrive with the New Science of Success

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Audible Audiobook

Listening Length: 6 hours and 34 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Brilliance Audio

Audible.com Release Date: June 6, 2017

Whispersync for Voice: Ready

Language: English, English

ASIN: B072JN54R2

Amazon Best Sellers Rank:

This is a thoughtful, well-written and practical work on ways to improve your performance based on principles developed from both real-world examples (across many fields) and the latest science (across multiple disciplines). This is a "Do the work" book - if you are looking for the success and flourishing equivalent of a get rich quick scheme, then look elsewhere. If you are willing to do the work, try some new things (and/or stop doing some others), then this book will provide a wealth of ideas and information to help you on your journey.The book is broken into 3 sections based on their key principles of:* The Growth Equation (stress + rest = growth)* Priming - the power of developing optimal routines and designing your day* Purpose - to keep you focused and motivatedThere are many valuable ideas and insights in each chapter. My favorite feature of the book are the "performance practices" - these are callout boxes that distill key ideas into actions you can take right away to start to improve.I learned and was challenged throughout the book - my 2 favorite chapters are:* minimalist to be a maximalist - life is about choices and it is important to be highly focused in some areas and minimize the decisions and attention we give to other areas. I loved this quote from Michael Joyner - "You need to say no to a lot of things so that when it is time to say yes, you can do so with all your energy." The key is to be intentional and to make habits for the areas that are needed but not part of your focus.* transcend your "self". This chapter is on purpose and it challenges a lot of my thinking. I plan to work with some of the ideas mentioned here (and do the exercise on purpose that they recommend) and see how this works for me. I want to understand both the theory and practice in this area so I will be reading some of the works mentioned here in the near future. I am a strong believer in purpose but not "self-transcendence" and that is what I want to understand more.The book is truly action oriented and I have already starting using the ideas as I read the book over the last few days. I recommend the book highly and for those who are coaches or leaders, I would encourage you to share the ideas with your teams (and encourage them to read the book).Two additional thoughts - any critical thinker will find areas they disagree with in most books and this is no exception. The power of this book is that it is encouraging me to explore those areas in more detail. Additionally, most of us know that psychology and the social sciences have been plagued with a "reproduce-ability crisis" with many studies. While this work is very evidence based, it is important to remember that these ideas and findings will continue to evolve and change. For those with a growth mindset, that is just another piece of the puzzle in long-term learning and growth.I hope this book gets a wide audience and helps others in their personnel success and flourishing.

I purchased this book because I like to keep abreast of books athletes I work with are likely to read (I'm a sport psychologist). I anticipated that this would be helpful in my work with them (it TOTALLY will be), but what I never intended was that it would be helpful for me, too. Given my background in sport and clinical psychology, it's a rare book that speaks to me on such a deep level. The last author that had this impact on me was Adam Grant, so we're talking "Adam Grant-level impact" here!I was familiar with 80% of the research the authors discussed, and they do a fantastic job of accurately discussing the findings in a practical manner. What I love most about this book is that the authors present the findings in such a way that it really begs the reader to question why he/she is approaching life, training, etc. in the manner they are and what can be done to IMPROVE that equation. They recognize this looks different for every athlete and challenge the reader to think about what the "stress + rest" equation looks like in his/her own life. They offer ideas of how to change things, but in a way that is still very individualized (i.e., not formulaic).This book is fantastic for anyone who wants to understand him/herself better or wants to encourage those with whom they work (e.g., athletes) to do the same. Reading this helped me take an HONEST look at my own life and tweak things to continue my own peak performance path. I really cannot say enough good things about this book, but to appreciate this, you'll need to read it for yourself!The only "negative" (and it's really not a negative, just a preference) is the "activity" the authors recommend completing at the end of the book because I REALLY do not like those activities in books. However, the authors comment that they, too, do not like these activities, which decreased my resistance :) I see value in the activity and intend to complete it for several domains of my life.

I have absolutely LOVED reading this book about maximizing your potential self. As a runner, I find Steve extremely relatable, however, I am impressed with how relatable all the stories in the book are regardless of your passion (athletic or not). This book helped me obtain clear insight into my personal goals and how to keep your "eyes on the prize" while staying driven and focused in a sustainable way. This book is an extremely easy read and well written. I would definitely recommend this book to help you center yourself around your passions and goals. Well done!

Just finished. Excellent job at taking potentially complex scientific principles, concepts, and ideas and presenting them in simple, not simplistic, ways so the reader can readily understand how to apply them. Enjoyable read from start to finish, loaded with practical ideas no matter your age, gender, passions, or pursuits! But, it is not a one-size-fits-all magic formula. You'll learn to work within your strengths & weaknesses, passions and personality. It is a flexible framework. As an old guy in his 45th year of running and having gone through the PhD grind over 20 years ago, this book would have saved me a lot of trial-and-error in my own pursuits. Read and apply!

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Free PDF The SharePoint Business Analyst Guide: The guide for requirements, managing, planning and delivering SharePoint with success., by Matthew J. Bailey

Free PDF The SharePoint Business Analyst Guide: The guide for requirements, managing, planning and delivering SharePoint with success., by Matthew J. Bailey

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The SharePoint Business Analyst Guide: The guide for requirements, managing, planning and delivering SharePoint with success., by Matthew J. Bailey

The SharePoint Business Analyst Guide: The guide for requirements, managing, planning and delivering SharePoint with success., by Matthew J. Bailey


The SharePoint Business Analyst Guide: The guide for requirements, managing, planning and delivering SharePoint with success., by Matthew J. Bailey


Free PDF The SharePoint Business Analyst Guide: The guide for requirements, managing, planning and delivering SharePoint with success., by Matthew J. Bailey

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The SharePoint Business Analyst Guide: The guide for requirements, managing, planning and delivering SharePoint with success., by Matthew J. Bailey

Product details

Paperback: 180 pages

Publisher: Independently published (November 1, 2017)

Language: English

ISBN-10: 1973174472

ISBN-13: 978-1973174479

Product Dimensions:

8.5 x 0.4 x 11 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#909,482 in Books (See Top 100 in Books)

In a nutshell, Matthew provides proscriptive "how-to" advice on how to be successful with SharePoint from someone who understands the (sometimes unique) challenges of SharePoint projects.While I have read more "polished" books on SharePoint, most of them described how great SharePoint was without actually providing me any useful advice as to how to get there from here. Kind of like going to the museum and seeing great pieces of art and being no closer to being an artist.While I have found many of the topics Matthew covers in other books, he provides real-world details that are usually missing. I found the Matthew's insights on Project Life Cycle, Lists versus Folders as well as Security and Compliance of particular importance to me.If you want to increase your chances of success on your next (or first) SharePoint project, I suggest you read Matthew's book.

Loved all the content and the templates. Well done. What did I like the least... nothing. All very helpful.

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Free Download The Warhol Economy: How Fashion, Art, and Music Drive New York City - New Edition

Free Download The Warhol Economy: How Fashion, Art, and Music Drive New York City - New Edition

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The Warhol Economy: How Fashion, Art, and Music Drive New York City - New Edition


The Warhol Economy: How Fashion, Art, and Music Drive New York City - New Edition


Free Download The Warhol Economy: How Fashion, Art, and Music Drive New York City - New Edition

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The Warhol Economy: How Fashion, Art, and Music Drive New York City - New Edition

Review

"[Currid] describes the organic, informal, social networking side of the creative arts in a mixed tone of Rolling Stone new journalism and objective reporting that serves to advance her central thesis: that as an independent drive of an urban economy, the arts and its related industries should stop being viewed as the beautiful step-child of city environments."---Susan Gardner, Daily Kos"Not every PhD student blows her fellowship money at Barneys New York. But for the urban planner Elizabeth Currid, her passion for style led to some interesting statistics."---Anya Kamenetz, New York Times"Any discussion about New York City's economic well-being tends to start and end with one phrase: Wall Street. As the Street goes, we assume, so goes the city, which is why politicians will do almost anything to keep the brokerages and investment banks happy.... [In] The Warhol Economy the social scientist Elizabeth Currid argues that this fixation is misdirected, and that it has led us to neglect the city's most vital and distinctive economic sector: the culture industry, which, in Currid's definition, includes everything from fashion, art, and music to night clubs. In other words, it's SoHo and Chelsea, not Wall Street, that the politicians should really be thinking about. Of course, everyone knows that art and culture help make New York a great place to live. But Currid goes much further, showing that the culture industry creates tremendous economic value in its own right."---James Surowiecki, The New Yorker"Elizabeth Currid's argument in this intelligent and innovative book is that New York, and certain other great cities in particular periods, function as the Factory on a greater scale, and that social policy out to reflect that fact."---Roz Kaveney, Times Literary Supplement"In detailing the inner workings of New York's creative industries...urban planning PhD Currid gives readers an eagle-eyed look at the networking mechanics of the art-as-business crowd. Colorful description abounds, as do colorful characters." (Publishers Weekly)"Currid provides an interesting explanation of the transformation of New York City from bohemia to cultural economy as art, music, fashion, and design collided." (Business Economist)"A brilliant analysis of the social mechanisms by which creative individuals and the industries they populate drive New York's economy...Beyond Ms. Currid's reasoned analysis and careful exposition of fact, The Warhol Economy is simply a pleasure to read in a way that sociological studies never are. Engaging, gossipy without being trashy, and just plain fun, The Warhol Economy is social science with a downtown mentality, it points to significant realities in the generation of cultural capital that are, important, and ready for broadcast."---Christina Panas, Soho Journal"An exploration of how fashion, art, and music drive New York City, The Warhol Economy argues that the city's cultural resources contribute more to the economy than most policy makers realize or admit. Interviews with well-known bands, designers, artists, club owners, and writers underscore the value of cultural producers; an appendix's worth of hard numbers back them up."---Annie Fischer, Village Voice"Sweeping, gossipy, flawed and fun, Currid's book stands alone as a work equally obsessed with the 'location quotient' of a given industry and with Marc Jacobs, the designer....It is the job of the social scientist to take a banal observation--for example, that New York is full of artists and musicians who like to go out at night and all seem to know one another--and worry over it to the point that the obvious seems to fairly glow with complexity. Currid pulls this trick off nicely, and she throws in some amusing backstage anecdotes for extra cultural currency."---Carly Berwick, Bloomberg Muse"Currid takes the reader on a concise tour of New York's 150-year history of being a haven and incubator for artists while offering a healthy reminder for any city interested in sustaining a lively arts scene: culture drives economic growth."---Andrew Brink, CityView

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From the Back Cover

"Elizabeth Currid's hip trip through New York's production of creative culture is a tour de force."--Quincy Jones, producer"I've uttered the words 'It just kind of happened' with a shrug hundreds of times when asked about the quick success of my band. Elizabeth Currid blows that lazy response to smithereens by showing the work behind 'word of mouth.' I think I'll have a better answer now."--Lee Sargent, Clap Your Hands Say Yeah"The old economy made deals over golf games and three-martini lunches. Creative New York organizes its networks around art openings, fashion shows, and nightlife. But these networks are a lot more than fun and games. They are deeply important to how new innovations are produced, how cities work to sustain creativity and turn it into commercial value. Cities drive our economies; creativity drives our cities. With her keen eye, sharp analysis, and detailed fieldwork, Elizabeth Currid shows us why and how. In The Warhol Economy, she has unlocked the best-kept secrets in New York."--Richard Florida, author of The Rise of the Creative Class"Elizabeth Currid's The Warhol Economy raises distinctive policy implications: namely, cities will get bigger payoffs by supporting milieu rather than museum. Laws that hurt the clubs are almost as bad as the rising rents that price-out the artists. Tax breaks to corporations make no sense whatever. Currid is more than plausible on all these issues."--Harvey Molotch, New York University"Elizabeth Currid has written a wonderful book. She shows that the arts and culture are not simply 'service industries.' Examining arts and culture in New York for the understanding they provide about deeper changes in our world, Currid addresses fundamental sociological issues while also engaging the general reader--with clarity, insight, humor, and passion. The reader feels taken along to the offices and nightclubs where some of the most creative people in New York gather."--Terry Clark, University of Chicago

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Product details

Paperback: 280 pages

Publisher: Princeton University Press; Revised ed. edition (October 19, 2008)

Language: English

ISBN-10: 0691138745

ISBN-13: 978-0691138749

Product Dimensions:

7 x 0.8 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#490,592 in Books (See Top 100 in Books)

Wonder why New York City is such a great town? Read this book, and you'll understand. The author explores why corporations choose NYC for their employees. I get it, and so should you.

A good read to get a general overview of the creative class in NYC

She is very knowledgable about her topic.But again, the fact that she completely takes out theater and dance out of artistic equation on New York really hurts the overall comprehension.

Elizabeth Currid’s Warhol Economy thoroughly explains the intricate concept of culture, art and consumption in New York City. Through personal narratives, qualitative data, and historical events, Currid allows readers to get a critical looking into a new economic paradigm in many cities across the nation. She identifies creative capital as the new urban economy, where class is determined by one’s ability to produce commodities and have them widely accepted as valuable. Borrowing the findings of many noted scholars, such as Richard Florida, Currid describes how a new creative class came to dominating New York’s “Downtown Scene” and contributed to a new cultural economy that had not been seen before.Currid’s writing method was simple. She would introduce each chapter with an anecdote, some from her own experiences living in Lower Manhattan, and others from events in history, such as the rise and fall of Jean-Michel Basquiat. In chapter one, for example, she recalls the life of Basquiat, explaining how his creativity in a changing urban economy took him from a artsy vagabond to a rich painter famous painter of his generation. Furthermore, she explains that cultural consumption around the time of Basquiat’s ascension was a new wave of urban economy, where factory and manufacturing in the city was passé. So, Basquiat’s fame, she argues was symptomatic of a changing economy where cultural products like then arts became a lucrative tool in attaining economic success. Currid was also making the argument that the place in which these cultural products were being produced and sold were crucial hubs that would perpetuate the new economic system.Throughout the book, Currid argues that Lower Manhattan: the Village, East Village, Lower East Side, and SoHo, were the centers of the new urban economy. She argues that creative people, such as artists, would flock to these centers in order to seek inspiration, social acceptance, a fun time, and a place to comfortably be “creative”. In the second chapter Currid provides another anecdote about the photographer, Maripol and how this photographer would look for the next “hot” style in fashion, not on the runway but in the Lower Manhattan dance clubs. Again, Currid explicitly identifies cultural capital as a driving force of creativity in the urban center, while referencing historical instances that validates her findings. Currid emphasizes her Maripol narrative by giving readers a brief history lesson in the Lower Manhattan art scene. Explaining that political and socialists sentiments were primarily printed in New York’s downtown in the early 20th century, Currid posits that writings of expression became an important commodity to the Lower Manhattan art culture. By bringing up the history of Lower Manhattan, Currid drives home the concept of place being a contributing factor in the creative consumer centers of the city.Another interest facet of Warhol Economy is in how it describes the city of New York as an exemplar and outlier from other formerly industrial cities in the United States. Currid makes it plain: New York is not like Detroit or Pittsburgh, and it is quite remarkably different because of its ability to rebound from crisis. Currid claims that New York was able to reinvent itself because of its “human capital”, where individuals engaged in professional services and less standardized production. In a nice way, she explains that New York’s capacity to export cultural products, such as media and film, are in essence leaps and bounds ahead of other formerly industrial cities. Currid intelligently sneaks in graphs to prove her point as well, showing that NYC reigned supreme as having had professional services at the highest percent of their workforce by the year 2000. Further, another graph she rolled out was one that basically proved the Big Apple to have 4 times the concentration of art than any other American City. Graphs proved to be a useful tool in presenting empirical data, as well as breaking up Currid’s sometime repetitive message of how superior New York was in the art scene compared to other American cities.Another important aspect of Currid’s work is her vivid description of the “Tastemaker”. Currid describes this creative sect as individuals who serve two large roles: trendsetter and trend consumer. Further, she considers the Tastemaker to be faceless, an unnamed women on the dance floor wearing an outfit off the beaten path, or a person who frequent the nightlife scene, looking for an open gallery, looking for a new experience. These creative Tastemakers are the ones who decide what culture is “cool” and when, they set the trends, and set the styles. Currid ties Tastemakers into her larger argument of creative consumption by explaining their presence as an important tool in networking and economic success in the art world. So without Tastemakers, there would be no Warhol Economy.Lastly the notion and age-old saying, “it’s not what you know, but who you know” is used by Currid in order to explain how artists find success from networks and not necessarily merit. She begins chapter 4 by telling a story of how she came to knowing famed clothing designer Marc Jacobs. She begins the tale by talking about being lost in Downtown, New York. She kindly asked a man where Bleeker Street was, looking to find one of Jacobs clothing boutiques. To her surprise, the man happened to be a good friend of Marc’s, and had the capacity to call up Marc to coordinate an interview between her and him for her book. These connections, Currid asserts, are ones that create and continue careers for artists and creative marketers. Being able to find those who can propel your career and offer advice or valuable contacts is the difference between success and mediocrity. In sum, in Warhol’s economy the idea-driven person wins. In Warhol’s economy the creative thinker, weird dresser, underground art-dealer wins. However, the opportunity to take advantage of the creative market depends on where a person is located and the time they find themselves in. It is a unique marriage of paradigm and opportunity. New York City served as a stage with which creative minds converged and hustled amid a time of huge money flow. Currid cleverly uses each chapter as an easel, painting a narrative of New York culture and social mobility.

Good book but a tad bit tedious. She enlightened me as to how the creative community is a vital economic consideration and not merely a luxurious by-product of economic conditions.The general purpose of the book is to introduce the reader to a different view of the creative community's role in economics, its origins, catalysts and catalysts of decline. She de-emphasizes the importance of public policy in breeding the necessary conditions while doing so.This is also valuable as a NYC travel guide, a lesson in economics, history and urban planning as well as an index of some of the most interesting names in the NYC creative community.That said, unless you were born yesterday or have never spent any time in a city, going to bars, listening to music, reading books and meeting people, some of this information will seem obvious and redundant. People meet people in clubs and bars, we all know that. You're more likely to run into people in a walking city than a driving city, obvious.I appreciate her thoroughness, but I think this book could have made drove home its excellent message in a book probably 2/3rds the length of this. A good book, but get the cliff notes.

If you're at all a fan of New York City, especially when defined as a cultural mecca, then this is a must read for different reasons than those that The Warhol Economy advertises. An extensive, heady gossip column gone delightfully awry, The Warhol Economy is a book completely infatuated with the city's culture and the industries lying behind it. Fellow New Yorkers and fans of the city and its artistic presence will not be disappointed, and even casual readers will get caught up in her name-dropping passion for the creative denizens of the Big Apple. However, if you're a fan of the artist Andy Warhol, you'll quickly see through the thin veil to realize the author is simply using the artist's name to move copies off the shelves a little more quickly. Very little knowledge or new wisdom involving Warhol is imparted. There is intrinsic value in the above truths, however. First of all, the name Warhol is synonymous with both Pop Art and New York, and, he himself would consider the mention high praise, thinking the concept as being "very pop." Secondly, while the author tends to ramble, loosely relating several familiar topics and famous people to the art and fashion scene of New York, through her chosen verbiage she inadvertently paints a very detailed portrait of the Manhattan collective groupthink. These thought processes are of great value in any timeframe, since as she even points out, "all business is done in New York." Thirdly, such a move to associate her work with Warhol was smart for business, which is really the biggest, if not the only lesson being a resident of New York will teach you.

Completely redundant in that she mentioned only a handful of New York City's avante-garde. The book is interesting but limited in its discussion of the subject. Apparently she thinks that Charles and Ray Eames are brothers and that the MMA is now the Metropolitan Museum of Modern Art. I wouldn't waste your time, if I were you.

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Download PDF The Secret Power of Music: The Transformation of Self and Society through Musical Energy, by David Tame

Download PDF The Secret Power of Music: The Transformation of Self and Society through Musical Energy, by David Tame

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The Secret Power of Music: The Transformation of Self and Society through Musical Energy, by David Tame

The Secret Power of Music: The Transformation of Self and Society through Musical Energy, by David Tame


The Secret Power of Music: The Transformation of Self and Society through Musical Energy, by David Tame


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The Secret Power of Music: The Transformation of Self and Society through Musical Energy, by David Tame

Product details

Paperback: 304 pages

Publisher: Destiny Books; New edition edition (April 1, 1984)

Language: English

ISBN-10: 0892810564

ISBN-13: 978-0892810567

Product Dimensions:

5.4 x 0.8 x 8.5 inches

Shipping Weight: 15.5 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

33 customer reviews

Amazon Best Sellers Rank:

#215,845 in Books (See Top 100 in Books)

I applaud the author's critique of music's power. What a formidable task.I am giving the author five stars for simply raising questions that have needed to be raised and explored in more depth by our society. Music is an emotional medium, in other words, music affects us emotionally -- and does this much more than the populace realizes.Having been a music therapist all of my life I have seen first hand how music can wreck havoc on one's emotions -- and on the other hand -- can facilitate peace, calm, and healing. It is dependent on the kind of music you are listening to. Yes, music IS affecting each of us whether we are aware it is happening or not.I believe music is right up the with appropriate diet and food. Just like we need to take seriously our nutritional choices, we ABSOLUTELY need to monitor our musical ones.Bottom line, do read the book. It is a good starting point.

This is reading for the musicologist as well as for the psychologist. A great volume for the serious student of the place of music in our lives.

love it

The intention of this book is in the right place. It's a wake-up call to society on the destructive effects of modern music, and conversely, the healing power of the more traditional forms.The author discusses 20TH Century classical music (the "New Music"), jazz & rock, Indian, and Chinese music, and discusses the physiological effects of music. His discussion about Chinese and Indian music is fascinating, and he seems fairly objective here (not in being strictly factual (he includes the oriental theories and myths in the material), but rather that he is able to discuss this music without passing esthetic judgement.)His discussion of the "New Music" and Rock/Jazz is much too one-sided. I totally agree with him that early jazz (the blues) and rock are particulary destructive (stand back and examine the lyrics to most songs... I rest my case.) I would also agree with the author that the atonality of most 20TH century "classical" music, not being rooted in the physics of the harmonic series, is also very destructive. (As he points out, this music is so universally disliked that in practice it's not so destructive -- because few people listen to it.)However, there are several inaccuracies in his critique of 20TH century art forms, and he argues his case with the fanaticism ......... that I find most unattractive. He is also quite fond of circular reasoning.As one example, he criticizes composer Steve Reich for having imitated the rythmns of african drumming in his music, claiming that Reich is somehow re-enacting barbaric voodoo rituals in his music. Yes, it's true that Reich's inspiration comes his study of African drumming, but to claim that Reich is consciously (or unconsciously for that matter) attempting to create music suitable for voodoo is absolutely ridiculus. (For one thing, drumming is part of all African ritual, both voodoo and more constructive uses.) In his section on rock, he compares the incessant drumbeat to a shaman's ritual, and notes that rock drummers can sometimes move into a trance state during their performances. Yet, that's the whole point of shamanic drumming (the trance), and that's part of the healing, not the destructive, power of the drum.He spends a page deriding Wendy Carlos' "Switched on Bach" recordings, yet for that whole page, he never really explained what made them bad, except that they were synthesized (so that makes them bad?) and that they made a lot of money. His scathing criticisms about the use of computers to compose or teach music are really unfair and miss the point entirely. Computer composition in the 70's were really about AI experimentation - I'm sure nobody thought that computers would actually compete with a human composer!His main complaint about Jazz is it's over-sesuality. I would agree with him here, after re-listening to some of my (instrumental) jazz recordings. Yet so is the Isolde Liebestod from Wagner's "Tristan and Isolde", yet he holds Wagner's music in high esteem. (as well he should :-) For some people, sensuous jazz would be healing. For others it is unbalancing. Yet the author seems unable or unwilling to provide a more moderate view of music.

This wonderful book explores "The Secret Power of Music" (by David Tame) throughout history. The subtitle, "The transformation of self and society through musical energy" gives us a clue as to the author's comprehensive evaluation of music. Surprisingly, he combines both scientific theory along with mystical or esoteric factors in the development of music through the ages. I also learned how certain types of music may also influence a person's physical and mental health. This combination of scientific research and esoteric factors makes this a very unique approach to the study of music.This volume covers music and its power, the ancient wisdom: music in China, the Twentieth Century-the new music, assessment of music, man and society, the ancient wisdom: music in India, Jazz and Blues-their nature and origin, the physics of the OM, and the ancient wisdom revisited: the modern esoteric viewpoint.In conclusion, if you are a music major or someone passionately in love with music, you should check out this book. Personally, this book was a very informative read, even if I am not in anyway a musician even though I do love classical music, Jazz and other forms of music.Rating: 4 Stars. Joseph J. Truncale (Haiku Moments: How to read, write and enjoy haiku)

Great book, will show you about the ancient science behind music

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Free PDF Disney/Pixar Coco: Movie Storybook / Libro basado en la película (English-Spanish) (Disney Bilingual)

Free PDF Disney/Pixar Coco: Movie Storybook / Libro basado en la película (English-Spanish) (Disney Bilingual)

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Disney/Pixar Coco: Movie Storybook / Libro basado en la película (English-Spanish) (Disney Bilingual)

Disney/Pixar Coco: Movie Storybook / Libro basado en la película (English-Spanish) (Disney Bilingual)


Disney/Pixar Coco: Movie Storybook / Libro basado en la película (English-Spanish) (Disney Bilingual)


Free PDF Disney/Pixar Coco: Movie Storybook / Libro basado en la película (English-Spanish) (Disney Bilingual)

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Disney/Pixar Coco: Movie Storybook / Libro basado en la película (English-Spanish) (Disney Bilingual)

Product details

Age Range: 3 - 7 years

Grade Level: Preschool - 2

Series: Disney Bilingual (Book 4)

Paperback: 24 pages

Publisher: BuzzPop; Bilingual, Media Tie In edition (August 7, 2018)

Language: English

ISBN-10: 1499807791

ISBN-13: 978-1499807790

Product Dimensions:

8 x 0.2 x 8 inches

Shipping Weight: 1.8 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#51,168 in Books (See Top 100 in Books)

I used this for a trip we took to Mexico to teach you g kids to read and they all loved it. It’s defintely for a beginner not an advanced reading book. Has lots of pictures and good descriptions.

I got it for my nice since she loves the movie and she is now learning Spanish. She loves it!

Muy buen libro

Loved this as a film and a book

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Disney/Pixar Coco: Movie Storybook / Libro basado en la película (English-Spanish) (Disney Bilingual) PDF
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